Adapted from a story by Kabita Sinha, Mohit Chattopadhyay’s drama “Mayer Moto” is all about Nalini, a freedom fighter’s wife and a widowed mother of three. Debabrata, the elder son, was sent to England for higher studies where he has lived for the last twenty five years oblivious of his mother and home land.

Daughter Subrata, Married to a trade union leader, basks in the reflected glory of her “NRI Dada” who has minted enough money buy an apartment in a posh locality of Kolkata and has shifted base from London as Debabrata’s only daughter Shila is about to get married to a young doctor well settled in India.

The youngest brother Priyobroto, less affluent of the three, is unpolpular for his indecent manners. The Play unfolds the complex relationships between the siblings and the changing equations with their mother Nalini.

Hashidi, a freedom fighter herself, enters like a flash of light and lends an interesting twist to the story.

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Cast & Credits

Cast: Sima Mukhopadhyay, Aparna Dhar, Apurba Kumar Saha, Smriti Choudhury, Ananya Sankar Debabhuti, Poulomi Talukdar, Susmita Pan, Rimi Chakraborty, Kunal Saha / Sajal Bagchi / Debabrata Ghosh
Story line: Kabita Singha
Play: Mohit Chattopadhya
Direction: Sima Mukhopadhyay
stage idea: Sanchayan Ghosh
Set Making: Raj Drama Set Suppliers
Light idea: Badal Das
Music idea: Tarit Bhattacharjee
Music projection: Kalyan Sarkar
Costume: Pritha Banerjee
Lettering: Siddhartha Gupta

Director’s Note

As a lady director, I have explored a variety of subjects. In 2010, the 42nd year of Rangroop, I chose “Mayer Mato” as the theme was challenging. The play is about two elderly ladies, a widowed mother Nalini and Hashi di, a former freedom fighter, who meet each other after decades. They celebrate the reunion by reminiscing about their involvement in the Quit India Movement of 1942. The play reveals how their life was shaped by India’s struggle for freedom. Financial independence is important for the emancipation and empowerment of women but “freedom and independence” mean a lot more. It’s much about a woman’s journey within to develop an identity strong enough to accept the vicissitudes of life as well as develop a sense of dignity so as not to become a burden on anyone. The process unnerves the value system of so-called “modern” and “well established” family members.