Patro Om Patri • Rangroop Theatre

The story of 'Patro O Patri' was written by Rabindranath, near about ninety-three years from now.

The story deals with the sentimental twists of 'sanat' who ultimately of 'Sanat' becomes the guardian of his beloved. 'Sanat' narrates his unbelievable life story to 'Abhoy' one of his childhood friends. His life, now is filled up with joy and happiness in the company of 'Shefali', his granddaughter; who Reminds him of 'Kashishwari'; another chapter of unfulfilled desire. Sanat's life.

Sanat's mother selected 'Kashishwari'; for his bride-to-be, but the total plan was dismissed by his father, a Deputy Magistrate, as she was the daughter of a mere Poor Priest. Later on, Sanat' s father arranged another matrimony for his son. The daughter of a rich and influential person, for his son, who by thou to had completed his masters.

But this time Sanat himself denied to worry as a result of denied with his father Sanat had to leave his house and settle for an unknown future However, Sanat’s luck was with him and the become one of the most Renounced businessmen of his time. Achieved everything in his life but not the 'beloved wife', which he had longed for. Shough, at present he lives with his once - longed ' Dipali' under the same roof, but mentally they are in.

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Cast & Credits

Cast: Debasish Roy Choudhury , Jayanta Mitra, Kalipada Ghosh, Siddhartha Chakraborty, Sajal Kanti Bagchi, Arun Bakshi, Soumalya Chowdhury, Dibyadut Roy Chowdhury, Sanjiv Roy Prodhan, Debasish Sen, Gopa Nandi, Pritha Banerjee, Madhumita Sengupta, Dipali Adak, Anuradha Chowdhury, Chirantani Datta Chowdhury

STORY: Rabindra Nath Tagore

Play & Direction: Sima Mukherjee

stage design: Somnath Datta

Set Making: Raj Drama Set Suppliers

Light Design: Badal Das

Music Design: Shrabani Sen

Music projection: Susmita Pan

Off Voice: Soumi Das, Susmita Roy, Jayanta Mitra & Shrabani Sen

Costume Design: Pritha Banerjee

Make up: Aloke Debnath

PRODUCTION ASSOCIATES: Suchismita Halder, Mohan Karmakar, Vaswati Chakroborty, Bijoya Mukherjee, Sukti Sarkar, Kasturi Ghosh, Subhasish Mukherjee

Director’s Note

It is not among Rabindranath Tagore's famous stories, I don't think many people have heard the name of this story, I said the words from my own direct experience - but when Tandra said from Natyachintar magazine, choose a story and make it into a play? On Rabindranath's half-centenary we want to do an anthology - I chose this story. To tell the truth, I have not read this story before. But once I read this story, I fell in love with it! No, not the story, but the man in whose words Rabindranath wrote the story. or social tension but underneath the story there is an unspoken story which cannot be quickly analysed but if you look at it with a little love, it can be caught candidly. The Saraswati River is the only one comparable to the form the hero of the story gave me. Those who have seen its source face know where it hides itself in its fervour for its own sake, though it has not lost itself or lost itself in union with another. Triveni Sangam is proof that it has not lost its existence. Saraswati river has caught itself by being special in its colour and form. After writing the drama from this story, in the same way, we all the artists of this drama wanted to find the deep bottom of such a river of life, wanted to touch it, if you want...